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The Artist
Operating System

Built for artist control

Artist control policy

What you keep, what happens to what you upload, what a recommendation is worth, and how to leave. Short on purpose — the long version is in the terms.

Data ownership
Uploading music, artwork, statements or catalog information to Street Banker transfers no right in any of it. The work is yours; the account is where it is organised.
Uploaded music and images
Files are stored against your account and used to produce your own findings, previews and deliverables. They are not sold and not shared outside the work you asked for.
What a recommendation is
Every Artist Twin reading shows what it looked at, how sure it is and what it is missing. It does not predict a hit, a signing or a sum of money, and it does not replace your judgement.
Royalty verification
A finding is a question with evidence attached. It requires verification before anything is submitted anywhere, and the estimate attached to it is arithmetic on your own statements rather than a prediction.
Automated publishing
Nothing leaves the workspace without your approval. Street Banker prepares releases, campaigns, registrations and claims; sending them outward is your action or one you authorise.
Deleting your data
Remove an upload and the findings drawn from it go with it. Close the account and the record goes with that.
Export
The catalog record is structured to be portable: export it and take it somewhere else. The design goal is that leaving is possible, not expensive.
Collaborator permissions
Access is per release and per role. Somebody invited to confirm a split sees that release and nothing else in the catalog.
Audit history
Changes are recorded with a date and an author. Nothing is overwritten silently, which is what makes the record worth anything in a dispute.

The full terms are in the terms of service and the privacy policy. How the Artist Twin uses AI is set out on its own page.